Showing posts with label Tamilnadu Temples. Show all posts
Showing posts with label Tamilnadu Temples. Show all posts

January 1, 2013

What is The Meaning of GANESHA ?

What is The Meaning of GANESHA ?

Ganesha has four arms which symbolize his status as the universal ruler and establish his power over the four categories of beings - those who can live only in water, those who can live in water and on earth, those who can live only on earth and those who can fly in air.

Significance of four : It was god Ganesha who instituted the four castes and the four Vedas.
One hymn in Sri Bhagavat Tattva , says: 'In heaven, this child will establish the predominance over gods,
on earth over men, in the nether world over anti-gods and serpents.

He causes the four principles of the elements to move and is therefore four armed. In one hand, he holds a shell, in another a discus, in the third a club or a sweet and in the fourth a lotus.' Thus, all aspects of Ganesh's form are filled with symbolic meanings.

What does "Vinayaka" Mean

Sathya Sai says, "Who is Vinayaka? In the sloka beginning with the words, Suklaambaradharam Vishnum, only the form of the deity is described. But there is another inner meaning for the name "Vinayaka".

Suklaambaradharam means one who is clad in white. Vishnum means he is all-pervading. Sasivarnam means his complexion is grey like that of ash. Chathurbhujam means he has four arms. Prasannavadanam means he has always a pleasing mien. Sarvavighnopasaanthaye means for the removal of all obstacles.

Dhyaayeth, meditate (on him). Vinayaka is the deity who removes all bad qualities, instills good qualities and confers peace on the devotee who meditates on him Vinayaka means that he is totally master of himself. He has no master above him. He does not depend on anyone. He is also called Ganapathi.

This term means he is the lord of the ganas - a class of divine entities. This term also means that he is the master of the intellect and discriminating power in man. He possesses great intelligence and knowledge. Such knowledge issues from a pure and sacred mind."


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Mystery About Lord Ganesh - Meanings



Once there was neither Being nor Non being. There was neither Form nor Formlessness. Then, That which was hidden within Itself, That One, stirring, emerging, coming to be. From Itself to the Formless to the Form. Immutable, changeless, everywhere, pervading all, yet not physically such is the mystery. Suddenly an ancient note piercing the darkness. A song whose birth stirred the slumbering, summoning an eternal mystery to awaken. Emerging from deep within the hidden cave, the human heart, Ganesha's truth flows from the icecave of the infinite. Housed within our gated dwelling, Ganesha the guest loved and longed for. That which has no form, can take a form. That which has no name, can take a name.

From the formless to form, and back again and again and again. The wheel of time gathers speed, and somewhere between fact and legend, vision and myth, we ask, "Who is Ganesha? There are those who lovingly sing his praises. There are those who worship and adore him. There are those who represent him in art and literature. There are those who tell stories about him. There are those who chant his glory. There are those who seek his darshan. There are those who invoke and invite his blessings. The thinkers think, the scholars scholastic, the devotees worship.


But what is Ganesha's hidden meaning? There is a long and hoary lineage of seekers, scholars, sycophants, who have attempted to plumb the mysteries of the elephant-headed one. Anthropologists, Artists, religious Aspirants, Historians, Indologists, Linguists, Philosophers, Religionists, Sociologists, and contemporary devotees of Ganesha are but some of the most recent representatives of this enquiry. Each group has attempted, and continues to attempt, to make sense of this enormously popular deity. Seemingly incongruous facts simultaneously coincide.

Ganesha embodies: An enormous popularity that transcends sectarian and territorial limits; a seemingly rather late, yet dramatic, full-blown appearance into a religious pantheon; a confusing, conflicting, yet interesting and intriguing mythology; and an elephant's head atop a plump human body! To further complicate the picture is the fact that the physical representation of Ganesha offers more iconographic variations than does that of any other Indian deity. Couple this with the fact that Ganesha literature is rife with a seemingly endless number of stories on an unexpectedly limited number of themes. O Ganesha, who are you really? Tell the others what you want, tell them anything, but between you and me, who are you really?


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Know A Little Bit More about Lord Ganesh

Ganesh is the Ever-Blissful, elephant-headed deva (god) who is lovingly worshipped and revered by millions of people worldwide. Although Ganesh is known through the Hindu religion, Shri Ganesh transcends religion and is loved by many non-Hindu's. Ganapati is worshipped by both Vaishnavas (devotees of Vishnu) and Saivites (devotees of Shiva). It is for this Transcendent, All-Embracing, Auspicious Lord of the Ganas, Sri Ganesh, for whom this site is dedicated. Enjoy and much Peace to you!

The son of Shiva and Parvati, Shree Ganesh, is the God of Good Luck and Auspiciousness and is the Dispeller of problems and obstacles. He is also worshipped as the God of wisdom, wealth, health, celibacy, fertility and happiness. In the panchayatana puja, Ganesh is glorified as one of the five prime Hindu deities (Brahma, Vishnu, Shiva, Shakti and Ganesha) whose worship confers immortality and liberation.

Ganesh Chaturthi - Vinayaka Chaturthi

Devotees of Ganesha are known as 'Ganapatyas', and Ganesh Chaturthi (also known as Ganesha Chaturthi or Vinayaka Chaturthi) is the holy festival that celebrates His Glory through India by all Hindu's. Vinayak Chaturthi is celebrated on the 4th day of the bright half of Bhadrapad. This festival is honored as the birthday of Sri Ganesh. Ganapati transcends all sects and views and is equally worshipped by both Saivites and Vaishnavas because Ganesh is viewed as an Incarnation of both Vishnu and Shiva. Ganesha is even worshipped and revered among Buddhists and Jains.


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October 14, 2012

Murugan - God of Six Faces - Son of Lord Shiva


 Murugan is more popular in South India especially among Tamil people famously referred as Thamizh Kadavul (God of Tamils) compared to other parts of India. In Karnataka he is popular as "Subrahmanya" and is often associated with snakes, famous shrine Kukke Subramanya is well known for Sarpa shanti rites. In Andhra Pradesh and Bengal too he is popular by the names "Subrahmanya" and "Kartikeya" respectively.

 Like most Hindu deities, Murugan is known by many other names, including Senthil (meaning 'smart' or 'clever'), Saravaṇa, Kārtikeya (meaning 'son of Krittika'), Arumugam, Sanmuga (from Sanskrit Ṣaṇmukha), Shadanana (meaning 'one with six faces'), Kumāra (meaning 'child or son'), Dhandapany (meaning God with a Club), Guhan or Guruhuha (meaning 'cave-dweller'), Skanda (meaning 'that which is spilled or oozed, namely seed' in Sanskrit), Subrahmaṇya, Vēlaṇ and Swaminatha.

Murugan -Lord of Six Faces

Murugan is popularly depicted as having six faces and twelve arms. The poets like to address Him as "Arumugan" - Lord of Six Faces.

The sacred functions of Murugan as having six faces are described as thus :

        One face sheds rays of Light and removes the dense darkness shrouding the world;
        One face with gracious look lovingly showers boons on his devotees who praise Him with Love and Joy;
        One face watches over the sacrifices of the Brahmans who perform them without deviating from the strict Vedic traditions;
        One face like full moon, which brightens all the quarters of the world, lights the sages' minds to enable them to search for hidden Truth;
        One face with raging heart performs battle-sacrifice-destroy His enemies and
        One face smiles lovingly on His young consort, the pretty daughter of the hunting tribe

Other Descriptions of Murugan "the Child of Kottravi" - the Goddess of Victory (Durga)

"the Child of the Ancient One"

"the Captain of the Heavenly Hosts"

"the Lord of the Mountain Region"

"the Lord who holds the Victorious Spear"

"the Heroic Lord with the Victorious banner gained in war"

Some of these descriptions suggest that Murugan was the War God of the Tamils.

 - 108 names of murugan -


Om Skandaya namaha
Hail Skanda! Vanquisher of the mighty foes!
Om Guhaya namaha
Praise be to the Invisible Lord—He who abides in the hearts of devotees true!
Om Shanmukhaya namaha
Praise be to the six-faced one!
Om Balanetrasutaya namaha
Praise be to the Son of the Three-Eyed Siva!
Om Prabhave namaha
Praise be to the Lord Supreme!
Om Pingalaya namaha
Praise be to the golden-hued one!
Om Krittikasunave namaha
Hail to the Son of the starry maids!
Om Sikhivahanaya namaha
Hail to the rider on the peacock!
Om Dvinadbhujaya namaha
Hail to the Lord with the twelve hands!
Om Dvinannetraya namaha
Hail to the Lord with the twelve eyes!
Om Saktidharaya namaha
Hail to the wielder of the Lance!
Om Pisidasaprabhajanaya namaha
Praise be to the destroyer of the Asuras!
Om Tarakasurasamharine namaha
Praise be to the slayar of Tarakasuran!
Om Raksobalavimardanaya namaha
Praise be to the Victor of the Asuric forces!
Om Mattaya namaha
Praise be to the Lord of felicity!
Om Pramattaya namaha
Praise be to the Lord of bliss!
Om Unmattaya namaha
Hail Oh passionate One!
Om Surasainyasuraksakaya namaha
(Suralangasya Rakshithre Namaha); Hail Saviour of the Devas!
Om Devasenapataye namaha
Hail Commander of the Heavenly hosts!
Om Pragnya namaha
Hail, Lord of Wisdom!
Om Kripalave namaha
Hail Compassionate One!
Om Bhaktavatsalaya namaha
Lover of devout ones, Praise be to Thee!
Om Umasutaya namaha
Son of Uma—Praise be to Thee!
Om Saktidharaya namaha
Mighty Lord—Praise be to Thee!
Om Kumaraya namaha
Eternal youth—Praise be to Thee!
Om Krauñcadharanaya namaha
He who reft asunder the Krauñca Mount—Praise be to Thee!
Om Senanye namaha
Praise be to the Army Chief!
Om Agnijanmane namaha
To the effulgence of Fire, all Hail!
Om Visakhaya namaha
To Him who shone on the astral Visakha—All Hail!
Om Shankaratmajaya namaha
Thou Son of Sankara—All Hail!
Om Sivasvamine namaha
Thou Preceptor of Siva—All Hail!
Om Ganaswamine namaha
On Lord of the Ganas—All Hail
Om Sarvasvamine namaha
On Lord, God Almighty, All Hail!
Om Sanatanaya namaha
Oh Lord eternal, Praise be to Thee!
Om Anantasaktaye namaha
Thou potent Lord, Praise be to Thee!
Om Aksobhyaya namaha
Unsullied by arrows art Thou—Praise be to Thee!
Om Parvatipriyanandanaya namaha
Thou beloved of Parvati, Praise be to Thee!
Om Gangasutaya namaha
Oh, son of Goddess Ganga—Praise be to Thee!
Om Sarodbhutaya namaha
Thou who did'st nestle in the Saravana Lake!
Om Atmabhuve namaha
Thou Unborn Lord!
Om Pavakatmajaya namaha
Thou who art born of Fire!
Om Mayadharaya namaha
Energy Art Thou—Praise be to Thee!
Om Prajrimbhaya namaha
Praise be to thee Auspicious One! (Blissful)!
Om Ujjrimbhaya namaha
Praise be to the Invincible One!
Om Kamalasanasamstutaya namaha
Praise be to the Lord extolled by Brahma!
Om Ekavarnaya namaha
The one Word art Thou—All Hail!
Om Dvivarnaya namaha
In Two Art Thou—All Hail!
Om Trivarnaya namaha
Thou Art the Three—All Hail!
Om Sumanoharaya namaha
Thou Stealer of pure hearts—All Hail!
Om Caturvarnaya namaha
In four Art Thou—All Hail!
Om Pancavarnaya namaha
In five letters Art Thou—All Hail!
Om Prajapataye namaha
Father of all Creation—All Hail!
Om Trumbaya namaha
Praise be to Thee, Oh Peerless One!
Om Agnigarbhaya namaha
Thou who dost sustain the fire!
Om Samigarbhaya namaha
Hail Thou who arose out of the Vanni flame! (Fire of the Suma tree)!
Om Visvaretase namaha
Thou glory of the Absolute Paramasivam, All Hail!
Om Surarighne namaha
Oh, Subduer of the foes of the Devas, All Hail!
Om Hiranyavarnaya namaha
Thou resplendent One, All Hail!
Om Subhakrite namaha
Thou Auspicious One—All Hail!
Om Vasumate namaha
Thou Oh Splendour of the Vasus— (a class of Gods) All Hail!
Om Vatuvesabhrite namaha
Praise be to Thee, Oh lover of celibacy!
Om Bhushane namaha
Thou Luminous Sun—All Hail!
Om Kapastaye namaha
Thou Effulgence divine, All Hail!
Om Gahanaya namaha
Thou Omniscient One—All Hail!
Om Chandravarnaya namaha
Thou Radiance of the Moon—Praise be to Thee!
Om Kaladharaya namaha
Thou who adorns the crescent—Praise be to Thee!
Om Mayadharaya namaha
Engergy art Thou—Praise be to Thee!
Om Mahamayine namaha
Great Artist of Deception too art Thou, Praise be to Thee!
Om Kaivalyaya namaha
Everlasting joy of attainment—Praise be to Thee!
Om Sahatatmakaya namaha
Art all-pervading—All Hail!
Om Visvayonaye namaha
Source of all Existence—All Hail!
Om Ameyatmane namaha
Oh, Supreme Splendour, All Hail!
Om Tejonidhaye namaha
Illumination divine—All Hail!
Om Anamayaya namaha
Savior of all ills—All Hail!
Om Parameshtine namaha
Thou art Immaculate Lord, Praise be to Thee
Om Parabrahmane namaha
Thou Transcendant One, Praise be to Thee!
Om Vedagarbhaya namaha
The Source of the Vedas art Thou, Praise be to Thee!
Om Viratsutaya namaha
Immanent Art Thou in the Universe, Praise be to Thee!
Om Pulindakanyabhartre namaha
Praise be to the Lord of Valli, the Vedda belle!
Om Mahasarasvatavradaya namaha
Praise be to the source of Gnosis
Om asrita Kiladhatre namaha
Praise be to Him who showers grace on those who seek his solace!
Om Choraghnaya namaha
Praise be to Him who annihilates those who steal!
Om Roganasanaya namaha
Praise be to the divine Healer
Om Anantamurtaye namaha
Praise be Thine whose forms are endless!
Om anandaya namaha
Praise be Thine, Oh Thou infinite Bliss!
Om Shikhandikritagedanaya namaha
Praise be Thine, Thou Lord of peacock banner!
Om Dambhaya namaha
Praise be Thine, Oh lover of gay exuberance!
Om Paramadambhaya namaha
Praise be Thine, Thou lover of supreme exuberance!
Om Mahadambhaya namaha
Praise be Thine, Oh Lord of lofty magnificence!
Om Vrishakapaye namaha
Thou who art the culmination of righteousness—All Hail (Dharma)!
Om Karanopatadehaya namaha
Thou who deigned embodiment for a cause—All Hail!
Om Karanatita Vigrahaya namaha
Form transcending causal experience
Om Anishvaraya namaha
Oh Eternal peerless plentitude, All Hail
Om Amritaya namaha
Thou Ambrosia of Life—All Hail!
Om Pranaya namaha
Thou life of life, Praise unto Thee!
Om Pranayamaparayanaya namaha
Thou support of all beings—Praise unto Thee!
Om Vritakandare namaha
Praise unto Thee who subjugates all hostile forces!
Om Viraghnaya namaha
Thou vanquisher of heroic opponents, Praise unto Thee!
Om Raktashyamagalaya namaha
Thou art Love, and of crimson beauty— Praise unto Thee!
Om Mahate namaha
Oh Consummation of glory, All Praise to Thee!
Om Subrahmanyaya namaha
We praise Thee, Oh effulgent Radiance!
Om Paravaraya namaha
Oh Supreme (Sovereign) Goodness, Praise unto Thee!
Om Brahmanyaya namaha
We praise Thee, luminous wisdom serene!
Om Brahmanapriyaya namaha
Thou who art beloved of seers—Praise unto Thee!
Om Loka Gurave Namaha
Oh universal Teacher, All Praise to Thee!
Om Guhapriyaya Namaha
We praise Thee, Indweller in the core of our hearts!
Om Aksayaphalapradaya namaha
We praise Thee, Oh bestower of indestructible results ineffable!
Om Sri Subrahmanyaya namaha
We praise Thee, most glorious effulgent Radiance!
Om Saravanabhava Om!

------------------------->
Other names of Murugan
Sri Gajavahana

Sri Kumara

Sri Saktidhara

Sri Subrahmanya

Sri Subrahmanya

Sri Brahmasasta

Sri Karttikeya

Sri Krauñcabheda

Sri Kandaswami

Sri Saravanabhavar

Sri Senani


 
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July 27, 2012

VARALAKSHMI-PUJA-INFO-IMPORTANCE-STORY

Varalakshmi Vratam  When and How

 Varalakshmi Vratam is an important pooja performed by many women in the month of Sravanamasam / Aavani. In this month many women perform Mangalagouri vratam on Tuesdays and Mahalakshmi puja on Fridays.

VaraLakshmi Vratham is performed on The 2nd firday of Sravana maasa or the firday before full moon day (Pournami).It is believed that worship of Goddess Lakshmi on this day will bring health, wealth and prosperity. Vara means boon. Needless to say, performing puja (in the form of a Vratam) to Goddess Varalakshmi will bring in boons to those who performs with utmost devotion.

Those who fail to perform the Vratam can do it so on any other Friday of the Sravanamasam. Eight forces or energies are recognised and they are known as Sri (Wealth), Bhu (Earth), Sarasvati (learning), Priti (love), Kirti (Fame), Santi (Peace), Tushti(Pleasure) and Pushti(Strength).

Each one of these forces is called a Lakshmi and all the eight forces are called the Ashta Lakshmis or the eight Lakshmis of the Hindus. Vishnu is also called Ashta Lakshmi Padhi which is equivalent to saying that he is the asylum for the eight-Lakshmis or forces. Lakshmi is a woman. So she will more readily sympathise with women.

Hence this varalakshmi Vratam is performed by women invoking the blessings of Lakshmi on their family and bless them with health, wealth and prosperity. Preparation of Varalakshmi Vratham : Goddess Lakshmi loves cleaner and tidier homes.

Hence,the pooja room and the house is cleaned on previous day itself. Puja related vessels are cleaned and polished. On the Puja day Women woke up early morning clean the pooja room and make kolam (rangoli) with rice flour. Keep a flat wooden platform/ plate spread a blouse piece over it. Over the blouse piece spread a cup of rice .

Place a cloth and spread some raw rice on it and place kalash on it. The Kalash is half-filled with water and decorated with betelleaves, usually five in number.The Kalash tray can be filled with turmeric, kumkum, sandalwood and other Pooja items..

The coconut is applied with turmeric and is richly decorated with kumkum. Now close it with with coconut with red cloth folded like pyramid,(look like a cap). The features of the Goddess are also drawn on the coconut to make the image of Her to facilitate worship. Jewellery is put round the coconut. Decorate and place some flowers.


Story of SRI VARAMAHALAKSHMI

The story happens in a beautiful town called Kundinagaram located in the Kingdom of Vidarbha (Vidarba Rajyam). In that Kundinagram town, Goddess Adilakshmi, being pleased by her devotion tells Charumathi in a dream and directed her to perform the vrata to enable Her to fulfil her desires. Charumathi wakes up and tells her husband about the dream. Charumathi along with some neighbourhood women takes bath in the wee hours and prepare a mandapam and invites Varalakshmi Devi. She recites the following sloka along with other women with utmost faith and devotion.

Sri Maha Lakshmi Stotram

Lakshmi Ksheerasamudra rajatanyam sri rangadhameswareem
Dasibootha samastha devavanitham lokaika deepamkuram
Sri manmanda kataksha labdhivibhat brahmendra gangadharam
Twamtrayamlokyakutumbhineem sasijavandemukunda priyam

Then she wore nine threads Thoranam( A band with yellow thread) to right hand and offers naivadyam to Goddess Lakshmi Devi. On the completion of the first circumstance, she heard she found Gajjelu, Andelu and other ornaments. On the second circumstance, they found kankanams made of navaratnams to their hands. On completion of the third circumstance, they found immense wealth. Then Charumathi offers Tambulam to the brahmin priests and distribute the vrata prasadam to the relatives and lead a happy life. Since then, Hindu women perform this vrata with utmost faith and trust till today. With this, Lord Eswara concludes telling the story to Goddess Parvathi.

 VARALAKSHMI VRATAM IN TELUGU VERSION - PUJA DETAILS .. 

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January 14, 2009

Thiruvannamalai - A Great Place of Lord Shiva




Thiruvannamalai, a town of about 1.5 lakh people and a district head quarters is one of the numerous temple towns in Tamilnadu. Even in this state filled with many such places, Thiruvannamalai stands out. The gigantic Arunachaleshwara temple complex set against the backdrop of the majestic Arunachala (red mountain) hill attracts devotees and tourists in thousands. The whitewashed Raja gopuram at 218 feet is one of the tallest temple towers in the state. It may not be as colourful as the Madurai one, but is every bit as impressive with its scale.

The temple complex as seen in Google Earth



While the temple, impressive as it is, is just a part of what makes Thiruvannamalai special. It is the holy Arunachala mountain, considered an embodiment of Lord Shiva himself that adds to the flavor of the town. It has been and continuing to attract countless saints / sadhus over the centuries . The more famous of the sadhus, Ramana Maharishi amongst the earliest, with their international followers brought a different dimension to TVmalai. Crisscrossing foreigners in their cycles and sundry sadhus (real and fake) jostling for space with the devotees give a unique feel to the town. A massive afforestation effort has even managed to green this grey mountain and climb up the hill is a nice trek.

Where it is Situated ?

"The Arunachaleswar Shiva temple in Tiruvanamalai situated at the foot of the Arunachala hill, is one of the largest (25 acres) and oldest temples in all of south India. The era of its founding is unknown; the complex grew over several millenia; and the large towers, called gopurams, were erected between the 10th and 16th centuries. The tallest gopuram is over 60 meters tall and has 13 stories..."

* "The hill temple Arunachaleswara temple is one of the largest shrines in South India, sprawling 25 acres. It is dedicated to Lord Siva and one of the 12 Jothilingams in India. The giant 200 ft Gopuram towers over the giant gateway..."

* "The ancient and vast Arunachaleswarar Temple as it stands today is the result of several centuries of building, alteration and extension. A Nandi faces the main shrine in each of its five prakarams. The outermost prakaram houses the thousand pillared hall and the Shiva Ganga tank and is pierced on four sides with colossal Gopurams..."

* "...When we observe the general structure of the temple, we notice that there are five small gopurams on the inner boundary and four big gopurams on the outer boundary. The inner gopurams are known as Kitti gopurams. There are two gopurams in the East and one gopuram each for the other three directions. The first of the two Eastern gopurams is called Kili gopuram. There are indications that this was built in the 11th century. The gopurams built during this period have no more than five stories. The Kili gopuram was built by Veera Rajendra Chozhan around 1063 A.D. He is referred to as Maharaja Thiribuvana Chakravarthigal in the inscription.This name was also given to the gopuram. The Kitti (smaller) gopurams, except the top of the western one, were built by the Hoysala King Vallala Maharaja III. His name is given to the biggest Kitti gopuram which is in the East..."

An interesting legend...

In India there are three major categories of pilgrimage temples dedicated to the god Shiva: the Jyotir Lingams; the Svayambhu Lingams, and the Bhuta Lingams. Located in five south Indian temples, the Bhuta Lingams are sa to be places where Shiva manifested himself as the natural elements. The temples and their respective elements are Chambaram: ether, Sri Kalahasti: wind, Tiruvanaikka/Jambunath: water, Kanchipuram: earth, and Tiruvanamalai: fire. Chambaram is also associated with the heart, Tiruvanaikka with the stomach, and Tiruvanamalai with the chest.

An interesting legend, told in the excellent book Pilgrimage in the Hindu Tradition by Alan Morinis, tells how the sacred hill of Arunachala came to be associated with the fire Lingam of Shiva. Mourning the loss of his wife Sati, Shiva was wandering nude in the forests of Daruvana and was seen by the wives of certain sages. The women were aroused at the sight and desired to unite with him. The jealous sages cursed the god's linga (phallus) to fall off. As it touched the earth it grew to immense size like a great shining column. The gods Brahma and Vishnu saw it when its top had reached upwards beyond the clouds and its lower end was buried deep in the earth. They deced to investigate. Taking the form of a boar Vishnu dived into the depths of the primeval ocean to reach the base of the column, and Brahma taking the form of a swan flew up to its top. When they returned Vishnu honestly confessed that he could not find the foundations, while Brahma boasted that he had reached the summit. At this moment Shiva appeared, denounced Brahma as a liar, praised Vishnu for his honesty, and declared that the column could not be measured because it was his Linga. At the request of Vishnu, Shiva left part of his Linga in its 'tejas', or fire form, on the Arunachala hill.

The Arunachaleswar Shiva temple in Tiruvanamalai (Tiruvanamalai is the Tamil word for the Sanskrit Arunachala), situated at the foot of the Arunachala hill, is one of the largest (25 acres) and oldest temples in all of south India. The era of its founding is unknown; the complex grew over several millenia; and the large towers, called gopurams, were erected between the 10th and 16th centuries. The tallest gopuram is over 60 meters tall and has 13 stories. The central temple enshrines images of Shiva as Lord Annamalai and his consort as Unnamalai. Every year during the Hindu month of Kartikai (November-December), the great Deepam festival is held to celebrate Shiva's manifestation as the light of Arunachala. For ten days the whole city of Tiruvanamalai is alive with celebration, processions, dancing and singing. On the final day of the festival, the eve of the full moon, a huge beacon fire is lighted atop the hill in commemoration of the fire left by Shiva. Many thousands of pilgrims flock to this exciting festival from all over southern India. Arunachala hill is consered a miraculous healing place, especially for ailments of the lungs and barrenness in women. The hill of Arunachala is also a symbol of spiritual knowledge and several great sages have lived here, including Arunagirinathar, the author of the Tiruppugal, and Sri Ramana Maharshi (1879-1950).

Access
Thiruvannamalai is 107 km from Kumbakonam and 185 km from Chennai.The nearest Airport from Tiruvannamalai is Chennai which is 182 k.m. Tiruvannamalai is situated in between Katpadi and Viluppuram Junctions on the railway line. It is well connected by road with various parts of country.

July 29, 2008

Tiruvannamalai - Lord shiva temple

Tiruvannamalai the home of Annamalayaar or Arunachaleswarar (Shiva worshipped as a Shiva Lingam) and Unnamulaiyaal (Apitakuchambaal - Parvati), is one of the largest temples in India. It occupies a special place in the Saivite realm and is regarded as one of the Pancha Bhoota Stalams (one of the five grand temples associated with the five basic elements) – associated with the element Fire, the other four being Tiruvanaikkaval (Water), Chidambaram (Space), Kanchipuram (Earth) and Sri Kalahasti (Wind) respectively. Shiva is said to have manifested himself in the form of a massive column of fire, whose crown and feet, Bhramma and Vishnu attempted in vain to reach. A celebration of this manifestation is seen today in the age old traditions observed in the Shivaratri and the Kartikai Deepam Utsavams held here.

Architecture: The ancient and vast Arunachaleswarar Temple as it stands today is the result of several centuries of building, alteration and extension. A Nandi faces the main shrine in each of its five prakarams. The outermost prakaram houses the thousand pillared hall and the Shiva Ganga tank and is pierced on four sides with colossal Gopurams. . The fourth prakaram includes the Bhramma Tirtham, and its eastern gateway Vallala Gopuram holds a statue of King Ballala. The third prakaram which dates back to the 12th century AD has several Linga Shrines, and the Kili Gopura Entrance. In the East side of the prakaram stands the Flag Staff while the Northern side is home to the massive shrine of Unnamulai Amman. The 3rd prakaram surrounds the roofed 2nd prakaram which houses the pantheon of deities associated with Shiva, which in turn surrounds the shrine of Annamalaiyar.

Worship and Services:

An elaborate protocol of worship services marks each day at the Tiruvannamalai temple where about a hundred and fifty people are attached to the temple including priests, musicians, singers, carpenters, potters, washermen, palanquin bearers, garland makers, administrators, guards etc.

The day begins with the ceremonial arrival of Ganga to the shrine, from a tank in the Southern part of the town on an elephant through the Southern, Tirumanjana Gopuram. This water cleanses the entrance to the second prakaram, and then the next ritual involving the waking up of Shiva and Parvati in the bedchamber. The Shiva-Meru returns to the Annamalaiyaar shrine while the image of Parvati returns to the Unnamulaiamman shrine.

Six other pujas are offered at the temple, the first one at 6 am, and the last one at night where the Shiva Meru and the image of Parvati are processionally brought into the bed chamber. Each service is accompanied by chants of invocation, dedication and praise. In the south west corner of the prakaram, the sacrificial fire ritual takes place, ending with the consecration of vessels of water which are used in the ablution of Annamalaiyaar and Unnamulai Amman.

Festivals:

Several festivals dot the Tiruvannamalai temple town's calendar. IEach occurrence of the full moon is a celebration in itself, as hundreds of thousands throng to circumambulate the Annamalai Hill, considered to be a reperesentationof Annamalaiyar himself. The festivals of the temple are remarkably intertwined with the life of the locals, marking the so called subtle transcendence between the human and the divine states. In addition to the various festivals, Tiruvannamalai celebrates four annual Bhrammotsavams (10 day festivals) the most famous of which is the Kartikai Bhrammotsavam (in the Tamil month of Kartikai Nov 15 - Dec 15).

The Arudra Darisanam in the month of Margazhi (Dec 15 through Jan 15) is a celebration of the cosmic dance of Shiva. The Tai Poosam festival which occurs in the month of Tai (Jan 15 through Feb 15) is also of great significance. The Tiruvoodal festival, enacting a mock quarrel between Annamalaiyaar and Unnamulai Amman is enacted in the presence of Sundaramoorthy Nayanaar in the Tiruvoodal Street, a street that has been earmarked for this annual event. During this quarrel, Parvati enters the temple alone by herself, leaving Shiva outside, and Shiva (Annamalaiyaar) circumambulates the Annamalai hill (himself), and during his trip, grants liberation to the rishi Bhringi. His jewels get stolen in the West side of the town and he then recovers stolen jewellery in the eastern side of the town, and then returns to the temple the folowing morning.

In the month of Maasi, (Feb 15 through March 15) Shiva is crowned as the King in the absence of a royal heir to King Ballala of the Hoysala dynasty (an early 14th century ruler) whose statue adorns the Vallala Gopuram. Interestingly Ballala's death is announced as an element of the festival tradition during the Tai Poosam celebration season. Associated with these events, Annamalaiyaar visits Pallikondapattu, one of the villages to the east of Tiruvannamalai, where the King's palace is said to have stood.

The Parivettai (Royal Hunt) festival is a part of the two Bhrammotsavams celebrated during the winter and summer solstices. This festival represents a royal hunt on the borders of the town.

The celebration of Kartikai Deepam marks the conclusion of the ten day Bhrammotsavam in the month of Kartikai (Scorpio , Nov 15 through December 15). Each of these festival days is marked by the procession of the Pancha Murthys (Somaskandar (Annamalayar), Unnamulaiyaal, Ganapati, Subramanyar and Chandikeswarar) in gaily decorated mounts. Most noteworthy among these are the Rishabha Vahana Utsavam celebrated on the fifth evening of the festival and the Rathotsavam, celebrated on the seventh day of the festival.

Kartikai Deepam is preceeded by the Bharani Deepam celebration when a lamp is lit in the main shrine of the temple following a fire sacrifice before the shrine of Surya. A small bowl of ghee lighted at this fire is used to light five other lamps representing the five aspects of Shiva. Preparations begin for the Kartikai Deepam which is to be celebrated in the afternoon. A group of fishermen carry a portion of this fire inside a container of baked earth to the summit of the mountain where a large copper utensil filled with offerings of ghee and pieces of cloth has been placed.

Crowds begin to throng the temple complex, and a discernible order prevails among the crowd as the tens of thousands gathered begin their patient wait for the auspicious moment when the Deepam celebration would reach its peak.

In the meanwhile, preparations go on for the afternoon’s climax. Four of the five decorated Pancha Murthys are are brought out from the main shrine of the temple and housed in Vimanams in the 3rd prakaram of the temple, facing the flag staff and the Annamalai Hill. The last to arrive is Annamalaiyar who comes out of the second prakaram, dancing with his consort.

The crowd waits to catch a glimpse of the deepam which is then brought out of the inner shrine towards the Utsavar Annamalayaar. The anticipation of the lakhs gathered there can only be experienced, not described in words. The deepam is brought out in a gait by the bearers and a deeparadanai is offered to the Utsavar, and at this very instant, the lamp on the hill is lighted as the crowd breaks into a frenzied devout cheer, yet retaining the order that was there when it was just beginning to assemble. The human mass gathered within and around the precincts of the temple, along with the residents of the town and neighboring towns catch sight of the flame atop the Annamalai hill, cherishing the age old belief that it is a representation of Shiva himself, who appeared in the form of a flame whose origins could not be deciphered by the other two of the Trinity namely Bhramma and Vishnu. Keeping with tradition, the inner sanctum doors close, with the arrival of the deepam outside, and it is believed Annamalaiyaar is to be worshipped only as the beacon until the next morning when the shrine is reopened.

Access and Accomodation: Tiruvannamali (located in the erstwhile North Arcot district of Tamilnadu) has several hotels and ashrams and it attracts visitors from all over the world Ramanashramam and Seshadri Swami ashram being examples. Each occurrence of a full moon attracts hundreds of thousands of pilgrims. The Kartikai Deepam celebration also attracts lakhs (hundreds of thousands) to the extent that all incoming traffic is halted at the boundary of the town on the day of the festival. The government of Tamilnadu runs special bus and train services during the occasion. By car, it is a four to five hour drive from Chennai, and there are several 'point to point' non-stop bus services. Tiruvannamalai is located on the railway line linking Villuppuram and Katpadi, and is therefore connected conveniently by rail to centers such as Tirupati and Thanjavur. Tirukkoilur with the Trivikrama temple and the Veeratteswarar temple, Saathanur Dam, and Vellore with its Jalakanteswarar Fort Temple are some of the nearby attractions.

May 12, 2008

Kanya kumari - End point of India






Kanyakumari Tourism


Kanyakumari BeachKanyakumari is the southernmost point of peninsular India and the meeting point of three oceans-the Bay of Bengal, the Arabian Sea and the Indian Ocean. Besides its importance as a Hindu pilgrim center, it is famous for its beautiful views of sunrise and sunset over the waters. The multicolored sand is a unique feature of the beach here.



Connectivity:

» Through air : The nearest airport is at Trivandrum (80 km). It is directly connected with Bangalore, Bombay, Cochin, Delhi, Goa, and Madras by regular flights.

» Via railways : Kanyakumari is connected to Trivandrum, Delhi, and Bombay by broad-gauge railway network. Tirunelvelli (80 km) is the other nearest railway junction and can be reached by road via Nagarkoil (19 km).

» By roads : Kanyakumari is connected by road to Trivandrum (86 km), Nagarkoil (19 km), Tirunelvelli (91 km), Tiruchendur (89 km), Tuticorin (129 km), Rameshwaram (300 km), Courtallam (130 km), Madurai (242 km), Thekkady (358 km), Kodaikanal (362 km), Palani (370 km), Ootacamund (576 km), Cochin (309 km), and Coimbatore (478 km).

On the sands of Kanyakumari.....footprints of divinity!

The presiding deity of the temple of Kanyakumari is Parasakthi as a virgin Goddess in meditative mood. The life-like image of Devi with a smiling face is a combination of innocence, purity and beauty. Smeared with sandal paste, decked with different varieties of valuable ornaments and decorated with beautiful garlands of flowers. She creates a sense of devotion and "peace that passeth understanding" in the mind of every worshipper. There is one version that Adi Sankara composed Soundaryalahari after seeing the sunrise, sunset and moon rise on the full moon day of the Tamil month of Chithrai at Kanya kumari praising the virgin Goddess. The beauty of Devi Kanyakumari reflects in the opening lines of his divine work.

Kanyakumari : The epitome of attractions!

Vivekanand Rock Temple - Kanyakumari» Kanyakumari : The epitome of attractions!
Kanyakumari Temple: The temple overlooks the shoreline. It is dedicated to Parvati as Devi Kanya, the Virgin Goddess who did penance to obtain the hand of Lord Shiva. The deity, Devi Kanyakumari is' the protector of India's shores' has an exceptionally brilliant diamond on her nose ring which is supposed to shine out to sea. The temple opens from 0430 to 1130 and from 1730 to 2030. Non-Hindus are not allowed into the sanctuary.

» Gandhi Mandapam : Not far from the Kumari Amman Temple is the Gandhi Mandapam, constructed at the spot where the urn containing the ashes of Mahatma Gandhi was kept for public view before a portion of its contents was immersed in the three seas. It resembles an Oriyan temple and was designed so that on Gandhiji's birthday (2nd October), the sun's rays fall on the place where his ashes were kept.

» Vivekananda Memorial : It is about 500 meters away from mainland. This memorial stands on one of two rocks separated by about 70 meters. It was built in 1970. This memorial is dedicated to Swami Vivekananda, the greatest social reformer. Swamy Vivekananda was supposed to have medicated on the rock where the memorial stands today. A meditation hall is also attached with the memorial. The design of the mandapa incorporates different styles of temple architecture from all over India. It houses a statue of Vivekananda. The divine foot print 'Pada Parai' of Devi is also seen here. Ferry service is available to reach the memorial. It opens from Wednesday to Monday. Tuesday is holiday. It opens from 0700 to 1100 and from 1400 to 1700.

» Suchindram Temple : Just 13 kms. from Kanniyakumari, Suchindram has a temple dedicated to a deity who is the representation of the combined forces of Siva, Vishnu and Brahma. It is one of the few temples in the country where the Trinities are worshipped. The temple has a beautiful gopuram, musical pillars and an excellent statue of the Hanuman, apart from a valuable collection of art from different periods.

» Padmanabhapuram Palace :
The Padmanabhapuram Palace in Kanyakumari district, located about 15 km from Nagercoil has the rare distinction of being one of the most ancient Kanyakumari Templemonuments in South India. Known for its strategic planning and military architecture, the palace was the seat of power for the Travancore emperors till 1790, when the capital was shifted to Thiruvananthapuram by Karthika Thirunal Maharaja, popularly known as Dharma Raja. Its main attraction is its sheer aesthetic beauty, innovative designs and time tested wooden carvings.





Accommodation

Varied accommodation options varying from luxurious to economic hotels, lodges, Devasthanam cottages are available for tourists in Kanyakumari.The major hotels of Kanyakumari are; Hotel Tamil Nadu, Youth Hostel (TTDC), Devasthanam Rest House, Kalaimagal Illam, Malaimagal Illam.



Tsunami - memorial

April 26, 2008

Chennai temples -Sri Kalikambal Temple


The temple is located at Thambu Chetty Street. Chennai city was once called Chennamman Kuppam in the name of Goddess Chennaman and later Chenna pattinam. The Kali of the erstwhile Chennamman Kuppam is today’s Kalikambal. The temple was once located inside the St George fort and later shifted here during the British regime. The temple has the sanctity of the two Pancha bootha Sthalams - Kanchipuram and Thiruvannamalai.

At the foot of the Goddess is present the Arthameru installed by Aadhi Shankarar. Kamadeswarar is present in a separate shrine. Many sages Vyasar, Parasar, Agasthiar, Ankiresar, Pulasthiar and Varunan and Celestial Gods Indhran, Guberan and Viwaakarma worshipped Kalikambal. It is said that Guberan got all his wealth only after worshipping Kalikambal here

Chathrabathi Sivaji worshipped Kalikambal in 1677. Bharathiar used to worship Kalikambal while working in Suthesamithran magazine and his verse ‘Yathumahi Ninral Kali’ was sung on Kalikambal only. The famous TMS’s song ‘Ullam Uruhuthaiya’ was sung for the first time here only, in 1952 by Sri Andavan Pichai.

More details in Vikatan Publication’s ‘ Nimmadhi Tharum Sannidhi Part 1‘ book.

Chennai Temples - Pancha Bootha Sthalams:


There are Pancha boodha sthalam equivalents in Chennai at the heart of the city which are considered very powerful and they are:
1) Kalahasthi temple at Pavalakara (Coral Merchant) street, near Mallikeswarar temple, Mannady representing Air
2) Arunachaleswara temple near Lakshmi Amman Koil stop in Thiruvotriyur bus route representing Fire. There is one more Arunachaleswarar temple at the end of Palliappan street (George town).
3) Gangadareswarar Temple, Purasawalkam representing Water
4) Chidambaranatha (Nataraja) temple near Choolai Post office representing Sky and
5) Ekambareswara Koil at Mint representing Earth

Note: Thanks to Mrs Prasanna Rajagopalan & shantiraju trips blog for the information

April 22, 2008

Sri Ekambareswarar Temple




This 500 year old temple is located at the Thangasalai street (Mint street), Parktown and is one of the three temples that were popular even before the arrival of the British. A big, beautiful and well maintained temple with a temple tank (with water as well). In almost all the (ancient) temple tanks in this area, it is quite heartening to see water in spite of being in the densest commercial place. JJ’s water harvesting has paid off??.

The temple is considered equivalent to Kanchi Ekambareswarar temple, one of Pancha bootha sthalangal representing land. Lingams of all the other Panchabootha sthalams (Kalahasthi, Thiruvannamalai, Thiruvanaikaval and Chidambaram) and all the 63 Nayanmars are also present. There are 300 years old Ashwatha Tree and Kallala tree and there is a lingam shrine under the Ashwatha tree, the speciality of which being that people can do pooja to the lingam themselves. In a single sculpture, Panchamuha Vinayahar is on one side and Murugar is on the other side with a five headed Snake. The Navagraha shrine here is considered one of the most sacred shrines in the city.

Location : 70 kms south of Chennai
Also Known as : The City Of Thousand Temples
Prime Attractions : The Ekambareswarar Temple
Temperature : Max 37°C to Min 20°C
Population : 30.38 lakh (2001 census)
Area : 11.6 Sq. Kms



April 14, 2008

Sri Chenna Malleeswarar Temple and Sri Kesava Perumal Temple


The temple is located between DevarajaMudali street on the east, NSC Bose Road on the North, Nainiappa Naicken street on the west and Rasappa Chetty street on the South.
This is one of the three temples that were popular even before the arrival of the British. This Shiva-Vaishnav twin temple was initially located near St George fort but the British demolished it to expand their army. Due to the public outcry, the temple was then shifted to the Devaraja Mudali street. In the process, the Vigraha of this Perumal temple got mixed up with the 4 idols of the Thiruneermalai Perumal temple and the idol of Thiruneermalai temple was brought here by a mistaken identity but remains here since then.

There will always be a good fragrance of jasmine at the Malleeswarar temple. All the 63 Nayanmars are present in a separate shrine.
More details on the temple here

April 8, 2008

Chennai Temples Episode 1


Sri Kandaswamy Temple or Kandakottam Sri Muthukumara Swamy Temple



This temple is located at the Rasappa Chetty Street.
When Mari Chettiar and Kandappa Achari were going to Thirupporur Murugan temple by walk, they rested at a place and a dream came to both of them simultaneously that there is a Murugan idol below the earth there. The idol was unearthed, brought here and a temple was built during 1670s. The main deity here is Thirupporur Kandaswamy and the Urchava idol is Muthukumara Swamy. Inside the temple, the ‘Saravana Poihai’ temple tank is present and surprisingly the water is at the same level as when the temple was built many hundred years ago, in spite of being located in the city’s densest commercial place.

April 5, 2008

Golden Temple -History





Brief History of the Golden temple.
The Sri Lakshmi Narayani Temple located in 'Sripuram' (spiritual town) in Thirumalaikkodi, about seven km from Vellore, was constructed by Sri Sakthi Amma, head of the Sri Narayani Peedam,Thirumalaikkodi.






A large number of devotees gathered for the occasion. for its Unique structure .
It is a unique temple whose 'Vimanam' (Top portion of the temple ) and 'Ardha Mandapam' (middle portion of the temple) have been coated with gold both in the interior and exterior.
Twelve layers of gold foils have been pasted on copper sheets embossed with the designs of Gods and fixed on the walls.
One-and-a-half tonnes of gold has gone into the design of the Sri Lakshmi Narayani Temple, which has been built at a cost of Rs.300 crore. 100-acre site



The temple has been designed in such a way that visitors can reach the golden temple only after going through a star-shaped pathway, which has the messages from the Vedas on both sides.
If you see the temple, you might even think that the temple is made of gold. And your guessing will be correct.
The Golden Temple is about 140 km from Chennai at Tirumalaikodi in Vellore district. Sri Narayani Peedam, a private religious charitable organisation, built the temple. And the glittering monument also boasts of some glittering figures.
According to Sri Sakthi Amma, the decision to have the temple coated with gold is only to attract visitors and enable them to get wisdom through the messages of the Vedas, which they will have to read before reaching the temple located on sprawling a 100 acre-site.
"The actual estimate is about 300 crores. The amount of gold that went into it's making is 1,500 kilos," says head, Sri Narayani Peedam, Sri Sakthi Amma. A breathtaking wonder of intricate designs, the temple dedicated to Goddess Narayani (laxmi) is in the midst of lush greenery spread over 100 acres.
Except the pathways, even the roofs and the pillars of the temple are made of gold as about 1.5 tonnes of the metal went into its making.
The Peedom (founders of the temple) says the funds for building the temple were collected from NRIs. But is this an attempt to match up to the other golden temple.

Anyway the Golden Temple built with a Divine Thought with 1.5 tonnes of gold and which is already on its way to making history.
A must visit holy place Which everyone must visit in their life time.. ..

your feedback is valuable to me to post some more...

April 4, 2008

Golden temple ! How to reach and where to stay?

Before telling about the means.. just glance at this map. Just Look at this.
For Real time map.. click here


After getting down at the KATPADI railway station of Vellore. You can take taxi or auto rikshaw , just ask them to take you to Hotel River view, If he asks where it is..

Tell hime Its in New katpadi Road, vellore- take this number for reservation - +91-0416-25251,/ 25108 .. Very excellent hotel to stay .


They can provide a guide if you ask them . Otherwise its so easy to visit Sripuram which is just 15 km from the bustand of Vellore..


In vellore there is one more Great Ancient Siva Temple which is surrounded by the small back water. Must visit place. Temperature is hot so plan your trip in the months of Jan and Feb.

April 2, 2008

Golden Temple Vellore South India Tamilnadu

The India's second largest Golden temple of hindus attracting many foreign tourists. In this scenario I would like to provide some photos, when the temple was under construction.

Sripuram Vellore Golden Temple is a spiritual park at the foot of a small range of green hills at a place called Malaikodi in the city of Vellore in Tamil Nadu, India. An important feature is Sripuram Lakshmi Narayani temple or Mahalakshmi temple whose Vimanam and Ardha Mandapam is overlaid with gold inside the temple and exterior.

The 20 hectares and was constructed by Vellore-based Sri Narayani peedam led by spiritual leader Sri Shakti Amma, also known as Amma Narayani Temple, which is 55 000 square meters is a set of prints and sculptures in gold. The lighting is arranged so that the temple glitters even at night. The Sripuram is the largest structure of gold.

VELLORE GOLDEN TEMPLE -SOUTH INDIA TAMILNADU. VIDEO


Even SATARIA a wreath at the foot of the Lord is divided into solid gold weighing 1 kg. Towards the exterior of the temple is in the form of a star. Walls records monitoring amma.All Sakthi lessons must pass through the shape of the star to the shrine. The Golden temple Praharam  resembles the Indian Parliament.

The landscape of Sripuram is natural. The temple garden is well maintained
natural  fertilizers.

The atmosphere around the Sripuram temple makes you peaceful. Ecopond Sarvatheertham where all the major rivers waters  are gathered .The pond is wonderful for birds  supplemented by more than 20 thousands, trees of various species.
Uniqueness in Sripuram Mahalakshmi temple is the Star Path.The  Star path makes human body calm and peace .











April 1, 2008

Golden Temple- A must Visit place

My Trip photos...
This below temple photos of Sripuram- near Vellore Tamilnadu State -India-
Belongings like Cellphones, digital cameras, any electronic gadgets are strictly prohibited. You must deposite them in the temple premises office.These are the photos which are available on the internet. I just want to display here.. Stay tuned for some morree.


This is the Shakthi Amma Golden temple (vellore ) tamilnadu Eagles view. (A big Star) That is the path to golden temple.



This is the path side way garden in the golden temple.
This is the main Temple entrance of Great Naarayanee. (laxmi temple)


Zoomed view of the same temple above.


Back side view of the same temple..

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